Prior to studying Parrish, I was under the impression that symmetrically balanced designs tend to be boring. I think Parrish shows this need not be the case. Here are a few examples where Parrish uses symmetrical balance as a design technique. Parrish apparently liked symmetrically balanced designs, since he used them frequently.
Very Little Red Riding Hood (1897)
Jello Ad (1922)
Two Pastry Cooks (1921)
Now that I am attuned to symmetrical balance, I am noticing it more often. My son Christopher loves the I Spy books. As we sat together reading the other day, I noticed that the cover of Can You See What I See? Once Upon a Time is for the most part symmetrically balanced.
I am keeping this design technique in the back of my mind. I am waiting for the right occasion to try it out.
3 comments:
My brain tends toward symmetrical balance. If I draw something where I have to fight going symmetrical, then I go for the symmetrical. Years ago I noticed I would tend to draw within a square area. Ever feel like a square person in a round world?
I've always been fascinated with the illustrations of Maxfield Parrish, and it's been fun viewing your posts with his art.
Thank you for posting this. I always loved his work, but never took the time to think and ponder about him.
Thanks, Jenny and Scarlett. I really enjoyed studying Maxfield Parrish's work. Next month, I study N.C. Wyeth.
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